#Racism In Hollywood
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This has got to be Robert Downey Jr’s most dubious achievement - appearing in movies in both Blackface and Yellowface. That’s a White Actor wears make-up to impersonate a Black/African character or makeup to portray an Asian character.
RDJ in YellowFace in “Sherlock Holmes: A Game of Shadows” (2011)
RDJ in Blackface in “Tropic Thunder” (2008)
These were common practices in Hollywood throughout the 20th Century, but less common in the 21st Century. Some people in Hollywood still defend the practice (Ben Stiller who directed RDJ in Tropic Thunder.)
#racism in Hollywood#blackface#yellowface#robert downey jr#RDJ#tropic thunder#Sherlock Holmes#Game of Shadows#dubious achievement
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Stay shitty and racist, Hollywood.
https://x.com/thefablemans/status/1767665834049053135?s=20
#lily gladstone#killers of the flower moon#racism in Hollywood#racism#indigineous people#oscars#oscars 2024
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Ke Huy Quan Lost Health Insurance Because He Couldn't Land a Job
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Is calling Allison Argent “anything with a pulse” not being used in a misogynist context? / You tell me, Pew. Is calling and reducing Allison Argent to "Scott's dead white girlfriend" not misogynist? You are the one who used those words after all
I would usually put something like this in the trash bin, but you brought up something that I want to talk about: context.
I did say the words "Scott's dead white girlfriend" because I was expressing my displeasure with the show's writing in Apotheosis (5x20). In it, for those who might not know, Scott is fighting with The Beast, Sebastien Valet, who by sheer coincidence (something else that displeased me) shoves his claws into the back of Scott's neck, thereby seeing images of Scott's memories of Allison.
I would argue that describing Allison in Apotheosis as "Scott's dead white girlfriend" is not misogynist because, at the time, she was actually dead, she has always been white, and the memories in which she was appearing were flashbacks to romantic and emotional scenes between them. So yes, I did describe Scott's dead white girlfriend as "Scott's dead white girlfriend."
But why did I do it? Why was I disappointed by Allison's appearance in Apotheosis? Well, that's something I feel is worth talking about.
Contrary to some people's opinions, I've never been shy about talking about how the writers of Teen Wolf fed into fandom and Hollywood racism by establishing repeatedly that Scott, to be a hero, can never act in behalf of his own emotions, but must overcome adversity and pain only to be in service to others. Don't get me wrong, it's a noble characteristic, and one that makes me like Scott, but it became racist when the production veered, as it so often did, into making it mandatory, in a way they never did for any other especially white character. It seemed to me that in Season 5, the writers had characters forget that Scott didn't seek to become a werewolf, he didn't seek to become an alpha, and so had his own mother give him a speech in Status Asthmaticus (5x10) in which she told him, essentially, that he had to let people abuse him in order to be a good leader. In a similar vein, The writers had Mason say that Scott had to forgive Liam in Damnatio Memoriae (5x12). Fighting to preserve the lives that would be lost to La Bête du Gévaudan isn't enough, Scott has to let people like Stiles and Malia and Liam hurt him and the Beast himself violate him to justify his own survival.
DEAD. In keeping with that injustice, the violation of Scott's memories in Apotheosis is portrayed as a triumph. It's just another thing that Scott has to sacrifice to save people, and the writers were very eager to portray this as necessary. "Allison saved him," Stiles tells Lydia, but the truth is -- Allison is dead (at that point). She didn't save shit. Scott isn't dead, but the writers hardly care. How does Scott feel about another serial killer rooting around in his head? We'll never know. The writers put the consequences of that into Things That Are Unnecessary, such as Mason's reaction to being the host for Valet.
WHITE. We all know how hard Kira got screwed as a character in Season 5B. We know that scenes elaborating on Kira's time in the desert was cut, and the way that she was written out was flaming hot garbage, to be compounded later by the "her story was finished" crap of Season 6. Contrary to the Asshole Anon's rantings, I do pay attention to the way the production treated Kira and Arden Cho, and while I also know that Jeff Davis placed special narrative importance on Scott and Allison's relationship, the execution of Kira and Scott's relationship in 5B (especially the Cheap-Ass Green Screen scene) managed to damage the relationship for the audience in a totally unnecessary way, compounded by the fact that after 5x20, Scott never mentioned Kira again.
So yes, I was critical of how they employed Allison in Apotheosis, and I said so. If they wanted to show how powerful Scott's love for others and willingness to sacrifice they could have spent more time on how that affected Scott. The dynamics of Scott saying goodbye to Kira at Shiprock and then very next scene having him wordlessly focus on Allison (instead of letting Stiles tell Lydia about it, it should have been Scott) are just terrible. I don't think that describing how the production messed up is misogynist at all.
Indeed, one of the things I loved most about the movie is that there wasn't a hint of Scott having to justify his survival in how he treats other people, especially in how he treats Allison.
#allison argent#scott mccall#kira yukimura#racism in hollywood#misogyny in hollywood#scott mccall defense squad#apotheosis
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I have a feeling when Maureen Ryan's book "Burn It Down" comes out in a few days and we find out the truth about Sleepy Hollow, it's gonna be a lot more horrifying than a headless horseman.
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#bleeding cool news#Orlando Jones#american gods#neil gaiman#maureen ryan#burn it down#racial and ethnic discrimination#black actors#racism in the workplace#racism#racism in Hollywood
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Você sabia? Era assim que os estúdios de Hollywood tratavam atores e atrizes na chamada Era de Ouro!
#golden hollywood#marilyn monroe#old hollywood#hollywood#rita hayworth#olivia de havilland#natalie wood#Judy Garland#racism in hollywood#racist hollywood#joan crawford#mgm#lgbtq#lgbt#gay hollywood
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Context from submitter: Disney has tried to bury this film because of its racist caricatures and themes so I’d be interested to see how many people have actually seen/heard of it.
#polls#movies#song of the south#40s movies#old hollywood#disney#harve foster#wilfred jackson#james baskett#ruth warrick#bobby driscoll#luana patten#lucile watson#requested#have you seen this movie poll#racism cw
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You wanna talk about the real racism-within-racism issue when it comes to redheaded characters being portrayed by black people? A lot of the traits associated with redheads (bad-tempered, promiscuous, etc.) are also traits attributed to black people. Some of these characters were even meant to be black from the beginning (Starfire anyone?) but there was pushback from someone higher up, so they took the character and gave them a recolor; casting black actors is a correction in these cases, but there’s still the underlying issue of how their characters were written.
The problem isn’t that black people are being cast as redheaded characters; it’s the stereotypes used for these characters that make casting directors so much more willing to cast black people as redheads than as another hair color.
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Ayo Edebiri is special to me because bluntly speaking, every time a young actress of colour blows up in Western media spotlight it's usually a light skinned woman or a biracial person with very Eurocentric features and beauty. It's almost like clockwork every time, and the standards of beauty are carefully upheld by colourism even while maintaining a guise of "diversity". But in Ayo's case, it's really great having a gorgeous and talented dark skinned actress be successful, beloved and hailed as a sapphic icon in a way that does not feel like audience paying lip service or being performative.
Like idk how to articulate but it's just so goddamn rare seeing an actual young dark skinned woc thrive in fandom spaces and in terms of commercial or critical success. I really hope people can learn to accept dark skinned young women in comedies, romances and mainstream show business more often because everywhere in movie and shows fandoms, from edits to fanart to fancasts to *actual* casts are BRIMMING with light complexioned actresses of colour. And dark skinned women are expected to grovel and be grateful for getting those crumbs of representation.
#mimirants#ayo edebiri#the bear#shows#movies#film#hollywood#representation#woc#women of color#poc#poc representation#colorism#racism
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so I'm watching the Resident and I know Jessica Lucas doesn't have that dark skin but I feel like most of her recent projects like the Resident makes her almost look white idk if it's my tv tho or if it's the shows light choices
ok so I looked up Jessica Lucas and here's a pic of her
now from I can see there's a BIG disparity between how she looks here and her red carpet complexion and professionally shot pix like this
and finally from the same event these too
So like... I know this isn't the first time they don't use the appropriate lighting on brown ppl. Just look at all the night shots they did in Teen Wolf where they'd keep using blue lights which washed out tyler posey? I remember people literally arguing that because he wasn't visibly Mexican American they weren't being racist when they shoved him aside.
but yeah like I think several things are happening like they're probably washing her out on the show with their bright lights but also they might be putting lighter makeup on her.
so yeah its racism all around. and for those that wanna argue that the show isn't being racist just do me a favor and watch insecure, they have all sorts of scenes from under the bright LA sun to dark clubs and the cast is always well light with makeup that catches the light and doesn't wash them out.
mod ali
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philip ahn was an old hollywood character actor, mostly underused in stereotypical bit parts but i always remember him bc of this brief scene in something to sing about (1937), which is kind of shocking in how forthright it is in addressing asian-american stereotypes (sadly he isn't in the rest of the movie much) cw for containing examples of said racist stereotyping
https://youtu.be/bUQff8S7jJE
Thank you for this. This is a wonderful clip, showcasing a wonderful actor. (Huge content warning for the first 30 seconds.)
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I've actually put Philip Ahn in two Dracula polls already—he was up for the First Mate and (as a much older man) Mr. Swales. I wish I had known about him for the first Hot & Vintage Movie Man Tournament—he was smoking back in the day!
#philip ahn#the tragic thing is i've heard him do this exact same thing before. in around the world in 80 days--made 20 years later.#hollywood racism fucking christ.#asks#dracula casting
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#Ncuti Gatwa#Black excellence#Hollywood diversity#racial bias#industry standards#white mediocrity#representation#cultural background#acting career#systemic racism#inclusion in media#breaking barriers#casting diversity#societal expectations#love and acceptance#shifting status quo#racial inequality#acting industry#pressure to excel#cultural representation#diversity in media#Hollywood inclusion#racial double standards#minority representation#Black actors#media stereotypes#equal opportunity#racial bias in casting#breaking stereotypes#cultural authenticity
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